Sound Designer & Composer, The Importance of Being Earnest
In 13 seasons at OSF: Much Ado About Nothing; Othello, Love's Labor's Lost, The Odyssey, Great Expectations, Fingersmith, Long Day’s Journey into Night, The Tempest, Two Gentlemen of Verona, A Streetcar Named Desire, King Lear, The White Snake, As You Like It, August: Osage County, Ghost Light, Cat on a Hot Tin Roof, The Merchant of Venice, Equivocation, The Clay Cart. Other theatres: Broadway: 33 Variations, I Am My Own Wife, Metamorphoses. Regional: Argonautika/Arabian Nights (Berkeley Repertory Theatre, Lookingglass Theatre Company); After the Quake (Steppenwolf Theatre Company, La Jolla Playhouse); Ghostwritten (Goodman Theatre); Cymbeline (Shakespeare Theatre Company); Endgame (Steppenwolf Theatre Company); Marcus (American Conservatory Theater); Lady Windemere’s Fan (Williamstown Theatre Festival); Passion Play Trilogy, Legacy of Light (Arena Stage); The Clean House (Yale Repertory Theatre, Lincoln Center, with director Bill Rauch); A Moon for the Misbegotten (McCarter Theatre); Macbeth, Much Ado about Nothing (California Shakespeare Festival). Other credits: Associate artist with Lookingglass Theatre Company and California Shakespeare Festival. Awards: Multiple Joseph Jefferson Awards and Citations, Ovation Award, Drama Critics Circle Award, Barrymore Award, Drama Desk and Lucille Lortel nominations for composition and sound design.