(she/her/hers)

Composer & Sound Designer, All’s Well That Ends Well

Other theatres: Joan (world premiere, Colt Coeur/HERE); How I Learned to Drive (Round House Theatre); HIR, The Creditors, Christmas at Pemberley, God of Carnage, The Wharton Comedies, 4000 Miles, Ugly Lies the Bone and The Taming (regional premieres) (Shakespeare & Company/Anne L. Bernstein Theater); Unraveled, Pressing Matters (world premiere) (MBL Productions/The Clurman Theatre); Heisenberg, Or, (original composition) (Shakespeare & Company/Tina Packer Playhouse); American Daughter, Glengarry Glen Ross (NYU Tisch School of the Arts); Living the Dream (The 52nd Street Project); Julius Caesar (Actors’ Shakespeare Project); The Baroness (SATC/The Clurman Theatre); Driving Miss Daisy(Bristol Riverside Theatre); Don’t You F**King Say a Word (world premiere, 59E59); Peter and the Starcatcher (Perseverance Theatre); Dear Elizabeth (regional premiere, Dorset Theatre Festival); Cal in Camo (world premiere) (Colt Coeur/Rattlestick Playwrights Theater); many others. 

Affiliations: Lecturer of Theatre Sound Design and Technology, UMass, Amherst; founding artistic associate, Colt Coeur; founding member, Theatrical Sound Designers and Composers Association; USITT; others. 

Education: MFA in Sound Design, Yale School of Drama; BA in Music, College of William and Mary, Cum Laude.

www.amyaltadonnasounddesign.com